🗊The Pre-Raphaelite Brotherhood

The Pre-Raphaelite Brotherhood

The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti. The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti.

Nature of the movement In art it refers to the Pre-Raphaelite Brotherhood, a group of avant-garde painters (associated with the art critic John Ruskin).

The Pre-Raphaelite Brotherhood William Holman Hunt, b. 1827 Dante Gabriel Rossetti, b. 1828 John Everett Millais, b. 1829 William Michael Rossetti, b. 1829 Other members: James Collinson, Thomas Woolner, Fredric George Stephens

Where does the name come from? The Pre-Raphaelites thought Raphael had produced technically perfect religious pictures, but with little spiritual feeling. On the contrary, they admired the art and painters before Raphael.

The Brotherhood's early doctrines were expressed in four declarations: The Brotherhood's early doctrines were expressed in four declarations: to have genuine ideas to express to study Nature attentively, so as to know how to express them to sympathise with what is direct and serious and heartfelt in previous art, to the exclusion of what is conventional and self-parodying and learned by rote most indispensable of all, to produce thoroughly good pictures and statues

These principles are deliberately non-dogmatic, since the Brotherhood wished to emphasise the personal responsibility of individual artists to determine their own ideas and methods of depiction. Influenced by Romanticism, they thought that freedom and responsibility were inseparable. These principles are deliberately non-dogmatic, since the Brotherhood wished to emphasise the personal responsibility of individual artists to determine their own ideas and methods of depiction. Influenced by Romanticism, they thought that freedom and responsibility were inseparable.

Pre-Raphaelite Brotherhood Combination of realistic and fleshly (even ugly) details and religious subjects, which scandalized critics Interest in studying nature rather than following established rules of composition Inspiration from medieval sources (King Arthur) Bright colors Protest against academic painting (e.g., that of Sir Joshua Reynolds), with its rules about contrast and form.

The Pre-Raphaelites Developed out of Romantic Movement A call for a fresh vision, a challenge to orthodoxies Truth was not a given fact but something relative to the individual mind Aim to go back to a more genuine art, rooted in realism and truth to nature Bright paintings on a white background Attention to detail and color Subjects from medieval tales, poetry, and religion

Pre-Raphaelite poetry’s features -Emphasis on beautiful, sensuous details

Dante Gabriel Rossetti Dante Gabriel Rossetti

My own belief is that I am a poet (within the limit of my powers) primarily and that it is my poetic tendencies that chiefly give value to my pictures: only painting being – what poetry is not – a livelihood – I have put my poetry chiefly in that form. On the other hand, the bread-and-cheese question has led a good deal of my painting being pot-boiling and no more – whereas my verse, being unprofitable, has remained (as much as I have found time for) unprostituted. (Lettera di D.G.Rossetti a T.G.Hake, 21 aprile 1870) My own belief is that I am a poet (within the limit of my powers) primarily and that it is my poetic tendencies that chiefly give value to my pictures: only painting being – what poetry is not – a livelihood – I have put my poetry chiefly in that form. On the other hand, the bread-and-cheese question has led a good deal of my painting being pot-boiling and no more – whereas my verse, being unprofitable, has remained (as much as I have found time for) unprostituted. (Lettera di D.G.Rossetti a T.G.Hake, 21 aprile 1870)

A Little bit about the author Dante Gabriel Rossetti was born in 1828 and died in 1882. He was also an illustrator, painter and translator. Rossetti’s personal life was closely linked to his work He followed the Aesthetic movement. Aesthetics studies new ways of seeing and perceiving the world

Rossetti's personal life was closely linked to his work, especially his relationships with his models and muses: Rossetti's personal life was closely linked to his work, especially his relationships with his models and muses:

Rossetti's poetry was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence The House of Life Rossetti's poetry was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence The House of Life

Dante Rossetti’s Poetry Longing to return to world of medieval Christendom Combination of Anglican piety and Italian impetuosity Attention to detail Sister arts of painting and poetry

His sonnet sequence «The House of Life»(1870-1881) is an evocation of «life representative, as associated with aspiration and foreboding, or with ideal art and beauty». His sonnet sequence «The House of Life»(1870-1881) is an evocation of «life representative, as associated with aspiration and foreboding, or with ideal art and beauty».

One poem, "Nuptial Sleep", described a couple falling asleep after sex. This was part of Rossetti's sonnet sequence The House of Life, a complex series of poems tracing the physical and spiritual development of an intimate relationship. One poem, "Nuptial Sleep", described a couple falling asleep after sex. This was part of Rossetti's sonnet sequence The House of Life, a complex series of poems tracing the physical and spiritual development of an intimate relationship.

Rossetti described the sonnet form as a "moment's monument", implying that it sought to contain the feelings of a fleeting moment, and to reflect upon their meaning. The House of Life was a series of interacting monuments to these moments — an elaborate whole made from a mosaic of intensely described fragments. This was Rossetti's most substantial literary achievement. Rossetti described the sonnet form as a "moment's monument", implying that it sought to contain the feelings of a fleeting moment, and to reflect upon their meaning. The House of Life was a series of interacting monuments to these moments — an elaborate whole made from a mosaic of intensely described fragments. This was Rossetti's most substantial literary achievement.